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Professor Binetti was always using the word "palimpsest." It was sprinkled in his vocabulary as if it were as common a word as "interesting." We students speculated that he had come across it in his Ph.D studies, and assumed it was a common word in English. The first time he used it, we had no idea what it meant. Through trying a variety of spellings on Google, we found its definition: "a manuscript page, whether from scroll or book that has been written on, scraped off, and used again."
I grew to love the word, and am reminded of it over and over again in New York. The city is like a page that has been rewritten many times. For me, for others, in our experiences, in our literature, in our movies. Standing on a corner, with steam rising from the street, cars and people hurrying about, and iconic buildings rising to touch the sky, the city can easily look like a movie set-- a scene from a Woody Allen film. Or it can take me back to a book's description of the city, as if Stingo should be standing near me watching Sophie. But it's also just a corner, that I need to cross, to get on the subway to head to class.
I don't know the city yet, and don't think I'll ever feel at ease with it the way I did with D.C. It's more challenging, more complex, and more hostile than D.C. Hostile sounds like a bad word. It may just be in my mind because there's a man living in earshot of our apartment who screams obscenities at random times throughout the day. Like right now. I am not sure who he is or if he's actually talking to anyone. There's never a response, though my roommate once yelled back at him to shut up. It didn't work.
This weekend, the independent theater Film Forum was showing a remastered version of The Godfather. I had not seen it in years and had forgotten just how good a movie it is. There is also some enhanced quality of immersion when seeing a film in the city where it is set. This week, that film will be the dominant one layered over my perceptions of the city. Though I hope my week entails much less violence.